Un fost student abordeaza viata lui Elizabeth Bishop (publicat 2017)


Elizabeth Bishop in Brazilia, 1954. Credit .. curve online game . Estate of Elizabeth Bishop

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Un miracol pentru micul dejun de

Megan Marshall

Ilustrat. curve sexy 365 p. Houghton Mifflin Harcourt. 30 USD. matrimoniale femei brasov cu poza

De-a lungul unei cariere de 45 de ani, Elizabeth Bishop a publicat aproximativ 100 de poezii – o mica lucrare. Cititorii au confundat modestia ei de scara cu modestia ambitiei. A castigat premii majore, iar munca ei a fost laudata, dar lauda a fost acoperita subtil sau nu atat de subtil. matrimoniale raid A fost una dintre cele mai bune femei poete pe care le-a produs vreodata America (aceasta poeta care nu dorea sa apara in antologiile poeziei pentru femei). Era apreciata pentru „ochiul” ei, pentru echilibrul ei si pentru ordinea obisnuita. Vermeer si Vuillard au fost comparatii. matrimoniale prahova A fost „poetul poetului poetului”.

Era ceva corect in aceste descrieri, dar si ceva foarte gresit. Le-a fost dor de puterea dezorientanta a poeziei lui Bishop de a se imprima in imaginatia ta ca un vis, uneori ca un cosmar. escorte gherla Criticii au fost mangaiati, cand ar fi putut fi deranjati, ca aceste poezii, cu simpatia lor pentru hibrid, inversat si grotesc, au fost scrise de o femeie. Lauda pentru calmul ei s-a grabit sa ignore ceea ce era ciudat si, prin urmare, arestand in stilul ei. Bishop a fost o poeta cu picioarele pe pamant, nu un poet care ti-a spus cum ai simtit caderea prin spatiu si alunecarea sub valuri mari si negre (vezi sublima ei „In sala de asteptare”). escorte iasi forum

De la moartea ei in 1979, imaginea s-a schimbat. Acum exista mai multe editii colectate ale poeziei ei. Au aparut poeziile si proiectele ei nepublicate; de asemenea, proza si scrisori. dame de companie orsova Exista un volum de interviuri si un alt lucru de arta. Daca ati dori sa cititi o carte despre Bishop in 1979, ati fi gasit un volum subtire. Astazi sunt zeci. escorte craiova publi24 Ea face obiectul unui roman, al unei piese de teatru, al unui lungmetraj si al documentarelor. Casele sale din Florida si Nova Scotia sunt repere. Nu exista una, ci doua societati Elizabeth Bishop. escorte sector3

Pe scurt, acest poet politicos, renumit, reticent, aflat anterior in fundalul unei ere poetice dominate de prietenul ei apropiat Robert Lowell, i-a pus pe umar practic pe toti ceilalti, inclusiv, intr-o remarcabila (chiar daca temporara?) Ajustare a clasamentelor, insusi Lowell . La fel de remarcabil este faptul ca o mare parte din atentia pe care Bishop a primit-o s-a concentrat asupra a ceea ce ea a vrut sa pastreze din vedere: povestea ei de viata.

Aceasta poveste incepe cu traume. porno curve frumoase Tatal Bishop a murit cand ea avea 8 luni; cinci ani mai tarziu, mama ei a fost permanent angajata intr-un spital pentru nebunie. Viata timpurie a episcopului a fost impartita inconfortabil intre familia mamei sale din Nova Scotia rurala si relatiile de bine ale tatalui ei din Massachusetts. A absolvit Vassar in mijlocul Marii Depresii cu intentia improbabila de a-si face drum ca poeta. dame de companie bucuresti la domiciliu Avea avantajul unei mici mosteniri si tocmai se imprietenise cu Marianne Moore, care avea sa fie ghid si sponsor. Dar multe altele erau impotriva ei. Sanatatea ei nu fusese niciodata buna. escorte facebook A suferit de alergii severe, astm si eczeme.

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De asemenea, ea a baut prea mult si aceasta problema s-ar inrautati.


Credit . dame de companie branesti .. Patricia Wall / The New York Times

Pentru a complica mai mult lucrurile, Bishop a fost lesbian. curve din alexandria Acest fapt central a determinat natura intimitatilor ei si a simtit diferenta fata de lumea din jur. Avea un talent orfan pentru a gasi iubiti gata sa o sustina si sa o protejeze, dar nu era nicidecum o simpla dependenta pasiva. Uneori a fost implicata cu mai multe femei simultan, iar unele dintre femeile de care era cea mai apropiata (de asemenea, unii dintre barbati) erau instabile. smart tv curve

The lover at the center of her story is Lota de Macedo Soares (known simply as Lota in books about Bishop), a charismatic Brazilian from a leading family who nursed Bishop back to health when the poet collapsed from an allergic reaction on a visit to Rio de Janeiro in 1951. As Lota’s partner, Bishop plunged into a new culture and a new language, greatly enlarged her frame of reference and experience, and became a poet of the whole hemisphere. But the relationship ended in catastrophe, in 1967, when Lota took a fatal overdose of pills. matrimoniale femei

With Lota, Bishop was not only busy discovering Brazil; she was hiding from Cold War America and a society hostile to homosexuals. The strategy was successful enough that her life with Lota remains somewhat mysterious to American readers; and Megan Marshall’s new biography of Bishop throws a clarifying light on this crucial relationship.

Marshall’s is only the second full-scale biography of Bishop, and the first to appear in 25 years. dame de companie costanta A Pulitzer Prize-winning biographer, Marshall is a skilled reader who points out telling echoes between Bishop’s published and private writing. Her account is enriched by a cache of revelatory, recently discovered documents. These include a sensational series of letters from Bishop to her psychoanalyst in which the poet details her sexual history and describes the specific experiences behind “At the Fishhouses” and “The Moose,” two of her most memorable poems. dame de companie sector 6

Marshall’s narrative is smooth and brisk: an impressive feat, given the mass of evidence she had to deal with. But Bishop’s life was hardly smooth, and the story is told too briskly. Key aspects of Bishop’s creativity — her work as a visual artist, her passion for music, her literary translations — Marshall treats swiftly or simply passes over. escorte mm To keep up the pace (or to satisfy copyright lawyers; she doesn’t say), for much of the book Marshall summarizes Bishop’s letters, rarely quoting more than a phrase or two, not a whole passage or paragraph, with the result that we get little sense of Bishop’s idiosyncratic voice, with its anxious qualifications, dry wit and looping self-reference. Similarly, we hear about, but never get a close look at, Bishop’s habitual drunkenness and the abject suffering it entailed. Marshall’s Bishop, whom she refers to cozily as Elizabeth, is consistently sane, sympathetic and coherent, easy to like and admire; and therefore considerably simplified.

Marshall knew her subject personally, having been a student in a poetry writing course Bishop taught at Harvard in 1976. She builds on this encounter by introducing passages of memoir that frame the biography proper and give us glimpses of Marshall’s youth and Boston’s literary scene in the 1970s. But we don’t learn enough about Marshall for her life to take on independent interest, and the memoir ends up being mainly a distraction. One chapter concludes with maximum drama as Bishop tries to save her relationship with Lota by tossing a rival lover’s letters into the Sao Francisco River. When memoir returns on the next page, and Marshall tells us Bishop gave her a final grade of B, “the first I’d received since high school chemistry,” air rushes out of the story with a whoosh.

But Bishop comes back into focus before too long. We follow as she moves from Brazil to Boston in 1972 for what would be the final phase of her career. Her daily life is a stream of accidents, ailments and crises, as if she were bent on proving the precariousness of her mere existence. Still she manages to publish a new collection of poetry, “Geography III,” containing just 10 poems, one of them a translation and none of them especially long. Bishop, characteristically, frets over its size. Doesn’t she have more to show for all her grief?

Yet the collection is as perfect and complete, as fully achieved and starkly original, as any book of poetry in English. There is nothing modest about it. And despite her self-doubt and self-deprecation, Bishop must have known how good it was — which is to say, so good it wouldn’t be enough. Her readers would want more. If not more poems, then more of her. We would want to know everything we could about the woman who wrote it.